What’s the first name you that comes to mind when you think of Guideposts? Our founder Norman Vincent Peale? Our editor-in-chief, Edward Grinnan?
Legendary film director Alfred Hitchcock?
Ok, that last is a bit of a stretch, though Hitch did write a cover story for Guideposts back in October 1959.
Guideposts has seen many people of prominence from the fields of movies, music and television write for our publication over the years, but the Master of Suspense might well strike many as among the more unlikely contributors we’ve ever featured.
READ MORE: ALFRED HITCHCOCK ON THE GREATEST GIFT OF ALL
Hitchcock is famous, of course, for the cameo appearances he made in his own pictures. It’s always fun to try to spot him, whether he’s riding a bus in To Catch a Thief, winding a apartment tenant’s clock in Rear Window, or exiting a pet shop in The Birds.

In a desperate attempt to extricate himself from this mess, Thornhill and his mother use trickery to enter Kaplan’s room at the Plaza Hotel, looking for whatever helpful info they can find about the mystery man. As they are snooping about through Kaplan’s effects, the telephone rings, and Thornhill is faced with a dilemma: Should he risk answering the telephone in hopes that he might learn something that way?

In those days, Guideposts had an agreement with many hotel and motel chains to place copies of our monthly publication in hotel rooms, much as Gideons International does with its Bibles, so we simply don’t know whether that copy of Guideposts just happened to be in that room at the Plaza or if it was placed there by a set decorator. Either way, I’ll admit to having gotten quite a kick out of spotting it while watching the movie, which is a favorite of mine, and I like to think that Hitch had the magazine placed there intentionally.





